Katy Avery, Gabrielle Barkidjija, Nathaniel Barnett, Jessica Beebe, Julie Bishop, Kelly Ann Bixby, Elijah Blaisdell, Karen Blanchard, Steven Bradshaw, Abigail Chapman, Colin Dill, Micah Dingler, Will Doreza, Robert Eisentrout, Allie Faulkner, Ryan Fleming, Joanna Gates, Dimitri German, Steven Hyder, Michael Jones, Lauren Kelly, Heidi Kurtz, Mark Laseter, Frank Laucerica, Chelsea Lyons, Maren Montalbano, Rebecca Myers, Daniel O'Dea, Rebecca Oehlers, Jack Reeder, James Reese, Alissa Ruth, Kyle Sackett, Daniel Schwartz, Rebecca Siler, Daniel Spratlan, Elisa Sutherland, Daniel Taylor, Diane Walters, Jason Weisinger, Jackson Williams, Shari Alise Wilson
Keyboards — John Grecia
Organist— Scott Dettra
Guest Accompanists— Laura Ward, Mark Livshits, and John Conahan
Conductor— Donald Nally
Assistant Conductor— Kevin Vondrak
joining at the New York Philharmonic for Julia Wolfe’s Fire in my mouth:
Tanisha Anderson, Sarah Batts, Sharon Byrne, Veronica Chapman-Smith, Hai-Ting Chinn, Meg Dudley, Allie Faulkner, Ilana Goldstein, Diana Grabowski, Barbara Hill, Heather Kayan, Michele Kennedy, Kim Leeds, Kate Maroney, Hannah Dixon McConnell, Laura Mercado-Wright, Christine Papania, Ellen Peters, Alexandra Porter, Tiana Sorenson, Elizabeth van Os
Donald Nally is responsible for imagining, programming, commissioning, and conducting at The Crossing. He is also the director of choral organizations at Northwestern University where he holds the John W. Beattie Chair of Music. Donald has served as chorus master at the Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, and for many seasons at the Spoleto Festival in Italy. He has also served as music director of Cincinnati's Vocal Arts Ensemble, chorus master at The Chicago Bach Project, and guest conductor throughout Europe and the United States, most notably with the Grant Park Symphony Chorus, the Philharmonia Chorus (London), the Santa Fe Desert Chorale, and the Latvian State Choir (Riga).
Donald, with The Crossing, was the American Composers Forum 2017 Champion of New Music; he received the 2017 Michael Korn Founders Award from Chorus America. He is the only conductor to have two ensembles receive the Margaret Hillis Award for Excellence in Choral Music: in 2002 with the Choral Arts Society of Philadelphia and in 2015 with The Crossing. Collaborations have included the Los Angeles Philharmonic, the Philadelphia Museum of Art, the Metropolitan Museum of Art, the Kennedy Center for the Performing Arts, Lincoln Center, Mostly Mozart, the Cleveland Museum of Art, Carnegie Hall, National Sawdust, the Barnes Foundation, Boston’s Isabella Stewart Gardner Museum, the International Contemporary Ensemble (ICE), the American Composers Orchestra, and The Big Sky Conservatory in Montana where The Crossing holds an annual residency.
In addition to his work with The Crossing, Donald has recently been visiting resident artist at the Park Avenue Armory, music director of David Lang's 1000-voice Mile Long Opera on the High Line in Manhattan, and chorus master for the New York Philharmonic for world premieres of Julia Wolfe and David Lang. He has worked closely with Lang and Allora & Calzadilla on projects in Osaka, London, Edmonton, Cleveland, and Philadelphia.
You can reach Donald at firstname.lastname@example.org
Executive Director Jonathan Bradley is responsible for all things organizational and administrative at The Crossing, with a focus on fund-raising and development. Jonathan served a 10-year long tenure at Carnegie Hall where he built and managed a world-class customer marketing, sales and service program that delivered millions of dollars in revenue and provided key insights into CRM, web design, and marketing initiatives across all customer touchpoints. Most recently, as Chief Marketing and Financial Officer at Primephonic, Jonathan was responsible for launching and developing the marketing strategy, partnerships and US operations for an all-classical HD music streaming service. In this role, he forged value shared partnerships with some of today's foremost new music and classical music ensembles and created an extensive multimedia content marketing program which added value to artist's new releases, back catalog and live appearances. Since 2008 Jonathan has served as President of the Diamond Way Buddhist Center of NYC and Board Member/Executive Officer of Diamond Way Buddhist Centers USA. In these two positions, he helped develop and direct all local programmatic and administrative initiatives, oversaw the operational administration for 30 community centers across the United States, and directed the production of courses and retreats for over 500 people. Jonathan has a BFA from New York University's Tisch School of Arts and an MBA from CUNY Baruch's Zicklin School of Business.
You can reach Jonathan at email@example.com
Kevin Vondrak is responsible for production and marketing at The Crossing, where he is assistant conductor & artistic associate. Notable contributions to Crossing projects include typesetting the Jeff Quartets omnibus edition and collaborating with the New York Philharmonic to prepare preview excerpts of Julia Wolfe’s Fire in my mouth at The Tenement Museum in New York City. Alongside Donald, Kevin recently served as assistant music director of the Mile-Long Opera, a work for 1000 voices by David Lang and Diller Scofidio + Renfro, staged on the High Line in New York City. In this role he led rehearsals with 38 choirs as part of an extensive community engagement initiative, and collaborated with Target to prepare a preview at the 2018 TED Conference in Vancouver, BC. Also an accomplished pop a cappella musician, Kevin has won awards for his directing, arranging, and recordings with the Washington University Stereotypes and Niles West High School's Echo Effect. He is a staff singer and associate conductor at St. Thomas’ Church, Whitemarsh, directs the choir at The Beaumont in Bryn Mawr, PA, and is a member of the Chestnut Street Singers. He holds an MM in Choral Conducting from Northwestern University’s Bienen School of Music, and a BA from Washington University in St. Louis.
You can reach Kevin at firstname.lastname@example.org
Alexandra McFadden oversees the daily operations at The Crossing. Alexandra is a strategic planning and fundraising specialist for nonprofits and government agencies who has raised more than $300 million. In 2015, she was chosen as one of 26 National Urban Fellows, where her fellowship was sponsored by the Upper Manhattan Empowerment Zone in economic and workforce development. After completing her fellowship, she worked as Chief of Staff for the Cleveland Foundation. Alexandra holds a bachelor of arts in English from the University of Pennsylvania and a master of public administration from CUNY Baruch's Marxe School of Public and International Affairs.
You can reach Alexandra at email@example.com
John Grecia is responsible for holding it all together musically at The Crossing. Our accompanist since 2007, he has an active career as a pianist, organist, conductor and educator. He has served as director of music at St. Mary’s Episcopal Church in Ardmore, PA since January 2000. He also works as a collaborative pianist within the music departments of Saint Joseph’s University, West Chester University, and Overbrook School for the Blind. On the other side of the musical coin, John is a professional pianist, vocalist, songwriter, and frequent performer working in the Philadelphia pop/rock music scene. A debut album of original music entitled Thirteen (John Grecia Band) was released in October 2011. John maintains a busy performing schedule, playing hundreds of shows/performing engagements each year. He holds a B.S. in Music Education and a M.M. in Choral Conducting from West Chester University.
Hailed as a “brilliant organist” (Dallas Morning News) and an “outstanding musician” (The Diapason), Scott Dettra is acclaimed as one of America’s leading concert organists. Mr. Dettra’s playing is praised for its clarity, rhythmic intensity, and musical elegance, and has been described by The American Organist as “music making of absolute authority and sophisticated expression.” He combines an active performance schedule with his post as Director of Music and Organist at the Church of the Incarnation in Dallas, where he leads a vibrant music ministry in one the country’s largest Episcopal parishes. He is also organist for The Crossing, a professional chamber choir based in Philadelphia. Prior to his appointment in Dallas, he was for five years Organist of Washington National Cathedral.
Mr. Dettra is featured on many compact disc recordings, including Majestus (Loft), recorded at Washington National Cathedral, and Tongues of Fire (Pro Organo), recorded on the 325-rank instrument at West Point’s Cadet Chapel. In addition to commercial recordings, his performances have been broadcast numerous times on such radio programs as American Public Media’s Pipedreams and Performance Today, the BBC’s Choral Evensong, and The New York Philharmonic This Week.
A native of Wilmington, Delaware, Mr. Dettra began piano study at age three and organ study at age eight as a student of his father, Lee Dettra, holding his first church organist position at the age of nine. Mr. Dettra holds two degrees from Westminster Choir College in Princeton, where he was a student of Joan Lippincott, and has also studied organ and jazz piano at Manhattan School of Music. In addition to Washington National Cathedral, he has previously held positions as Associate Music Director of the Washington Bach Consort, Associate Conductor of Washington’s Cathedral Choral Society, Accompanist of the American Boychoir, and church positions at St. Paul’s, K Street in Washington; St. Mark’s, Locust Street in Philadelphia; and Trinity Church, Princeton. He and his wife, Haley, reside in Dallas with their daughter.